Object contrast and lighting contrast.
We do not intend to scare amateurs or unnecessarily complicate the subject of color photography. However, if someone thought so, maybe without …
Photographer
Object contrast and lighting contrast.
We do not intend to scare amateurs or unnecessarily complicate the subject of color photography. However, if someone thought so, maybe without …
Color shades.
During the process of chemical treatment of reversible materials, we cannot influence the quality of the image colors. The latter is dependent on abnormal color shade deviations …
Obtaining pure colors.
A positive effect on the quality of color reproduction is exerted by the use of a sunshield, and not only when taking pictures against the light, but not at all …
Quality differences of photosensitive materials.
next question, which we are therefore interested in, Is, jak przedstawiają się w wyniku jako pozytywy zdjęcia dobrze naświetlone i …
Range of useful exposures.
Reversible films and negative films have significant technical differences compared to each other. Negative films, podobnie jak to się dzieje w technice …
Selection of photographic film.
We should consider all circumstances when choosing color photographic material, that would favor the use of negative or reversible films. Negative films must be duplicated. …
Storage of color materials in tropical conditions.
It is extremely important to maintain appropriate storage conditions in a tropical climate. Hot, dry climate, which prevails, for example. w Egipcie lub …
Storage of colored materials.
Storage of undeveloped color photosensitive materials should be done under the same conditions as storage of color photos. Należy się wystrzegać zbyt wysokiej …
Electronic flash light.
How we see, color films are produced for daylight, especially sunny, or for photographic lamps significantly revolted. Na co więc …