If the lines run to the right, or in that direction, some people are wandering, it feels more pleasant than the opposite because of this, that in the picture the road will begin, naturally, wide from below, and as it goes up it will become more and more narrow. Everyone will unknowingly watch it, if other lines to the left of the bottom will also run in the right direction up. We can take this reasoning further, because photos, where random lines lead to the left, they affect the viewer, as if we were showing them from the other side. They are often shown in this way by experienced amateurs. With this, what we said, this is also related, that every landscape should be open on the right side, unless the previous intention was to frame the center of the image. For example, a beautiful group of trees, if presented in the foreground, should be on the left, third part of the picture, if it is further back, should be on the right side of the picture. However, no rules can ever be set too rigidly. Some readers will object to this, because in art, therefore, also in artistic photography, the classical patterns of image construction are sometimes also departed from. each new, honest pursuit has its rights, and the search for new forms of photography, which we mentioned at the beginning, should only be assessed as progress. However, this applies to images, which should have some expression. Ordinary landscapes should most often have visual impact, if they are to reproduce a specific character of the weather. Understandable, We are talking about landscapes here, that do not have any specific guiding lines, such as pictures of high mountains. In such cases, we unconsciously abstract from the image and turn to its content, thoughts or moods. Figures are a wonderful subject for landscape photos. The friend of nature rejoices, if he meets only single people in a deserted area. Photos of such a landscape with empty roads will not surprise anyone. Many observers, however, and especially those, who always want to say something when criticizing an image, will always complain when looking at the picture presented to them: “again, constantly landscapes without people, as if they had all died out!”. We must be prepared for such judgments. The image gains by enlivening specific people and allows you to fill an extraordinary void, which made him worse. So we're glad, if the figures in the painting are running or if we can photograph them while walking. In the last case, we can also add some color, because the landscapes are only blue, greens and browns are too poor. Some express an opinion, that there should be a red spot on every photo. A red handkerchief on the head or colorful clothes, if it doesn't stick out too much, brings our image to life. However, one should not stray too far from its actual content. On the contrary - the figures should be easy to catch the eye and introduce everyone into the picture.
People-made objects can also be eye-catching accents in landscape photos. Plow in the field, fence, houses, naturally, if they are somehow related to the whole landscape, they immediately create a certain connection with the person and make the image more expressive. Easy successes never please a creative man as much as works, which he had to care for and strive for. This applies to photography in general, and, above all, colorful landscape photos. If a motif, on the third or fifth observation in a certain sunlight or cloud arrangement, pleases someone, that he would like to have his picture, only then the image obtained with great effort will be a source of joy and pride.